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- Publisher: Fox Rogers
- Bio: punished / reformed —— theater employee / film enthusiast —— iko uwais #1 fan —— godzilla worshiper —— watched films chart:
- creator: Guy Ritchie
- 2020
- Guy Ritchie
- Michelle Dockery
- liked it: 28483 votes
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Download torrent the gentlemen 2017. Download torrent the gentlemen 2016. Download Torrent The gentlemen. Download torrent the gentlemen 3. Download torrent the gentlemen online. Download torrent the gentlemen book. The gentlemen movie trailer. Download torrent the gentlemen band. Watch Online Free. The Gentlemen Online Megashare. Watch~ The) full~movie~youtube. Nothing too unexpected here, but it's funny and hugely entertaining The Gentlemen is a return to the London gangster milieu where writer/director Guy Ritchie first made his name with films such as Lock, Stock and Two Smoking Barrels (1998) and snatch. (2000). And yes, the film seems stuck in the last decade in more ways than one, it's highly questionable that the only gay character is a slimy man-whore into S&M, its only female character barely even manages to rise to the level of tokenism, and Ritchie does absolutely nothing new here, but The Gentlemen is still hugely entertaining. Most of the jokes land, the dialogue is as sharp and expletive-laden as ever, the cast are having a ball, and the self-reflexivity works well for the most part. The plot is as derivative as it gets, but Ritchie has injected real verve into it. The Gentlemen won't change your life, but it will make you laugh. The film begins as sleazy private eye Fletcher (Hugh Grant) arrives unannounced at the home of Ray (Charlie Hunnam), right-hand man to Mickey Pearson (Matthew McConaughey), an Oxford-educated American ex-pat who controls a huge marijuana empire in London. Several months prior, Fletcher was hired by tabloid editor Big Dave (Eddie Marsen) to dig up dirt on Pearson, and Fletcher has written a screenplay based on his investigation, telling Ray that unless Pearson pays him £20 million, he will hand over everything he has to Dave. Meanwhile, Pearson has decided to sell his whole operation, but when word gets out, all hell breaks loose, as the various interested parties vie for advantage. Most of the subsequent film takes the form of Fletcher narrating his exploits to Ray, explaining how he learned so much about Pearson and what he does. Aesthetically, The Gentlemen is very much in the mould of Ritchie's previous gangster movies. Because Fletcher frames his narration as a screenplay, it allows Ritchie to employ a multitude of self-reflexive devices – a smash cut coinciding with Fletcher asking Ray to visualise a smash cut; on-screen captions telling us who's who; animated maps; freeze-frames; rewinds; a shot of film running through a projector etc. At one point, Fletcher is discussing the merits of anamorphic over 1. 78:1, and the film's aspect ratio changes accordingly. At another, he's arguing for the merits of 35mm celluloid over digital, and the film duly switches formats. Such playfulness means that it never for a second takes itself too seriously, and it remains immensely fun, with the more you know about the mechanics of assembling a film, the more humorously self-reflexive the film becomes – Fletcher even acknowledges his own role as an unreliable narrator. In terms of themes, the most obvious is the idea that the economic divide between gangsters and aristocrats masks their practical similarities. The smooth running of Pearson's business depends on both classes – the aristocrats who he needs to grow his product and the gangsters who distribute that product. The clash between the pompous insularity of the English upper class and the perceived uncouthness of the lower class has been done to death in both literature (Wuthering Heights (1847) springs to mind) and film (Performance, for example), and although Ritchie doesn't say anything even remotely new about it, it still forms an interesting textural background – gentrification is ever-present; there are ironic references to the posh areas of Croydon; Ray, a working-class Newcastle native, is a cleanliness freak who eats wagyu steak and lives in a mansion, and when he's dispatched on a mission to an uncivilised working-class area, he explains he "just hates them junkies, " seeing them as very much his social inferiors. One of the most central scenes sees Ray and his mn clash with a gang of machete-wielding thugs on a council estate, and there's a real sense of old vs. new – traditional gangsters fighting it out with internet-savvy hoodlums who don't give a damn about tradition or respect. There are a lot of laughs to be had with these issues, such as Ray and Coach (a scene-stealing Colin Farrell) having problems pronouncing the name Phuc. And again, none of this is presented as even remotely serious. The biggest problems with the film are probably its lack of depth, and the familiarity of the presentation, characters, and milieu – there's nothing here you haven't seen in previous Ritchie films. And as you would expect, there isn't much in the way of emotional maturity or narrative complexity. It's all very surface-level, and it makes no apologies for such. Nevertheless, I thoroughly enjoyed The Gentlemen. It's a funny as hell caper and the actors are clearly having terrific fun. It might be formulaic and overly familiar, but it's also immensely enjoyable.
Download torrent the gentlemen movie. Séances Bandes-annonces Casting Critiques spectateurs Critiques presse Photos VOD Bande-annonce Séances (248) Spectateurs 4, 2 3295 notes dont 323 critiques noter: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Envie de voir Rédiger ma critique Synopsis et détails Avertissement: des scènes, des propos ou des images peuvent heurter la sensibilité des spectateurs Quand Mickey Pearson, baron de la drogue à Londres, laisse entendre qu’il pourrait se retirer du marché, il déclenche une guerre explosive: la capitale anglaise devient le théâtre de tous les chantages, complots, trahisons, corruptions et enlèvements… Dans cette jungle où l’on ne distingue plus ses alliés de ses ennemis, il n’y a de la place que pour un seul roi! Distributeur SND Voir les infos techniques 2:19 Acteurs et actrices Casting complet et équipe technique Critiques Presse BIBA 20 Minutes Closer CNews Dernières Nouvelles d'Alsace Ecran Large Filmsactu GQ La Voix du Nord Le Figaro Le Journal du Geek Le Parisien Le Point Les Fiches du Cinéma L'Express Ouest France Première Sud Ouest Télé 7 Jours Télé Loisirs Le Journal du Dimanche Le Nouvel Observateur Positif Rolling Stone Télérama CinemaTeaser Le Monde Voici Les Inrockuptibles Libération Chaque magazine ou journal ayant son propre système de notation, toutes les notes attribuées sont remises au barême de AlloCiné, de 1 à 5 étoiles. Retrouvez plus d'infos sur notre page Revue de presse pour en savoir plus. 32 articles de presse Critiques Spectateurs « The Gentlemen », alors là, sous la houlette de Guy Richtie, est un film qui décoiffe vraiment et on se régale de tant d’invention dans ce schéma narratif très spécial qui vaut ici son pesant d’or! Bravo en effet à cette idée géniale d’avoir hissé Hugh Grant au rang de journaliste véreux, qui derrière ses Ray Ban, n’a pas sa langue dans sa poche pour raconter cette histoire unique et tellement incroyable, tel un vrai jeu... Lire plus Aaaaaaaaahhhhhhh, merci mon dieu: merci de nous avoir rendu LE Guy Ritchie qu’on aime. Oui parce que, après le calamiteux-catastrophique-ignoble-nauséabond-dégueu-nullissisme "Aladdin" (vous avez compris ou vous êtes des fans hardcore débilo-bornés de Disney?? ), j’avais vraiment cru qu’il avait signé son arrêt de mort…Mais heureusement pour nous, Ritchie s’est relevé et est revenu à ses premiers amours: fans de "Arnaques,... Une comédie mafieuse réussie, avec un humour toujours décalé signé Guy Ritchie. Le casting est avant tout superbe, chacun ayant un charisme, un caractère qui leur est propre et un rôle à jouer dans ce joyeux bordel. On peut dire que le rythme est très soutenu, surtout concernant les dialogues. Il faut bien suivre car beaucoup de personnages sont présentés dès le départ, on peut craindre de se sentir perdu mais on arrive vite à se... J'attendais depuis un long moment le dernier Guy Ritchie. Et je dois dire que j'ai adoré. Sur fond de trafic d'herbe (où j'appréhendais le pire), on se lance dans une histoire à troues, contée par un Hugh Grant méconnaissable. Là est le génie du film, qui le dynamise alors que le long métrage n'a presque pas d'action. Une histoire complexe, où chaque détail a son importance, où la chronologie proposée est exquise. Le point fort du... 323 Critiques Spectateurs 36 Photos Secrets de tournage Toff Guys Guy Ritchie a eu l'idée du film dix ans plus tôt. Il a envisagé à un moment d'en faire une série mais est revenu à son idée de départ. Le film s'intitulait à l'origine Toff Guys, de l'argot britannique qui signifie "Les Rupins", soit des personnes issues d'un milieu aristocratique affichant un air de supériorité. Le réalisateur explique: "J'avais envie d'orchestrer le télescopage entre le mode de vie de mes personnages et leur bus... Un Américain à Londres Guy Ritchie a réuni des acteurs dans des rôles à contre-emploi. Pour le protagoniste principal du film, un baron de la drogue qui veut renoncer à son statut, la production s’est dit que le personnage serait plus riche et plus imprévisible s'il était américain. Au final, cela donne un film se déroulant dans le milieu des gangsters anglais autour d'un Américain vivant à Londres. Le producteur Ivan Atkinson explique: "parfois, les An... Le cannabis L'industrie du cannabis fascine Guy Ritchie: "C'est sans doute le nouvel eldorado. C'est un produit reconnu pour être relativement inoffensif". L’ambiguïté de la législation américaine à l'égard de cette substance a donné l’idée de The Gentlemen où deux Américains dirigent un empire du cannabis au Royaume-Uni. Le producteur Ivan Atkinson précise: "On peut en consommer légalement dans certains États [d'Amérique], mais la loi fédér... 7 Secrets de tournage Dernières news 13 news sur ce film Si vous aimez ce film, vous pourriez aimer... Voir plus de films similaires Commentaires.
The Gentlemen Theatrical release poster Directed by Guy Ritchie Produced by Guy Ritchie Ivan Atkinson Bill Block Screenplay by Guy Ritchie Story by Marn Davies Starring Matthew McConaughey Charlie Hunnam Henry Golding Michelle Dockery Jeremy Strong Eddie Marsan Colin Farrell Hugh Grant Music by Christopher Benstead Cinematography Alan Stewart Edited by James Herbert Production company Miramax Distributed by STXfilms (United States) Entertainment Film Distributors (United Kingdom) Release date December 3, 2019 ( Curzon Mayfair Cinema) January 1, 2020 (United Kingdom) January 24, 2020 (United States) Running time 113 minutes [1] Country United Kingdom United States Language English Budget $22 million [2] Box office $110. 1 million [3] [4] The Gentlemen is a 2020 action comedy film written and directed by Guy Ritchie, from a story by Ivan Atkinson, Marn Davies, and Ritchie. The film stars Matthew McConaughey, Charlie Hunnam, Henry Golding, Michelle Dockery, Jeremy Strong, Eddie Marsan, Colin Farrell and Hugh Grant. It follows an American marijuana kingpin in England who is looking to sell his business, setting off a chain of blackmail and schemes to undermine him. The Gentlemen premiered at the Curzon Mayfair Cinema on December 3, 2019, [5] and was released theatrically the United Kingdom on January 1, 2020, and in the United States on January 24, 2020, by STXfilms. It received positive reviews from critics, with many regarding it as a welcome return to form for Ritchie. It has grossed $110. 1 million worldwide, making it the sixth highest-grossing film of 2020. Plot [ edit] Big Dave, editor of the Daily Print tabloid, is snubbed by cannabis baron Mickey Pearson at a party and hires private investigator Fletcher to investigate Pearson's links to Lord Pressfield, a Duke with a heroin-addicted daughter. Fletcher offers to sell his findings (typed up as a screenplay entitled Bush) to Pearson's right-hand man Raymond for £20 million. Born in poverty in the US, Pearson won a Rhodes Scholarship to Oxford University, where he began selling marijuana to privileged fellow students before dropping out and building up his criminal enterprise by violence. He plans to sell his business to American billionaire Matthew Berger for $400 million so he can retire peacefully with his wife, Rosalind. Pearson shows Berger one of the labs where he grows his cannabis under the estates of aristocratic landlords, who need cash for the upkeep of their stately homes. Pearson is later approached by Dry Eye, an underboss for Chinese gangster Lord George. Dry Eye offers to buy out Pearson's business, but he refuses. Pearson's lab is then raided by amateur MMA fighters and aspiring YouTubers "The Toddlers" who overpower the lab's guards, steal a van-load of marijuana and upload a rap video of their caper online. The fighters' trainer, known only as Coach, orders them to delete the video and is horrified when he discovers that the cannabis belongs to Pearson. Pearson begins transferring his cannabis-growing out of the estates. He also agrees to bring home Pressfield's wayward daughter Laura. Raymond retrieves Laura from a council estate where she is living with several other addicts. However, in a brawl with her room-mates one of Raymond's men accidentally pushes Rouslan, a young Russian man, out of the window to his death. Laura later dies of a heroin overdose. Coach visits Raymond, apologizes for his students' actions, and offers his services as penance. Coach has captured Phuc, a henchman of Dry Eye's who had informed Coach's crew about the lab location, although Phuc is accidentally killed during a botched escape attempt. Pearson threatens Lord George for going after his lab, and destroys one of his heroin labs in retaliation. George chastises Dry Eye for his insubordination in attacking Pearson and offering to buy him out; George nods to a henchman to execute Dry Eye, but the man executes George instead. Unknown to Pearson, Dry Eye is in league with Berger, who had wanted Pearson's business disrupted to reduce the price. Dry Eye has taken Lord George's place and still hopes to take Pearson's empire for himself. Dry Eye tries to kidnap Rosalind, who kills Dry Eye's men before she runs out of bullets in her 2-shot derringer. Raymond kills an assassin sent to kill Pearson; the two rush to Rosalind and Pearson kills Dry Eye as he is about to rape her. Fletcher ends his story and Raymond orders him to leave his house. Fletcher has merely confirmed Pearson's suspicions about the link between Dry Eye and Berger. Raymond orders Coach's students to capture Big Dave. They drug him and film him having sex with a pig, threatening to post it online unless he drops his investigation. Pearson and Berger meet up again in a frozen fish plant, actually a cover for Pearson's European distribution operation. Berger drops his offer to $130 million, but Pearson reveals his knowledge of Berger's plan, shows him Dry Eye's frozen body and tells him he is keeping his business. Pearson forces Berger inside a refrigerator, where he will freeze to death unless he transfers $270 million compensation and, for the assault on Rosalind, cuts "a pound of flesh " from his own body. Fletcher approaches Raymond again for his payment, but Raymond reveals that he was tailing Fletcher all along. The fighters have stolen his stashes of evidence after Raymond placed a tracker on him during their last encounter. Fletcher reveals that he has also sold info to Rouslan's father, a Russian oligarch and former KGB agent. The assassin that Raymond earlier killed was one of the Russians. Coach kills two Russian hitmen sent to kill Raymond, while Fletcher escapes in the chaos. Pearson is kidnapped by two other Russians, but they are quickly ambushed by Coach's students who want to "solve Coach's problem". They assault the car with bullets, killing the Russians and allowing Pearson to escape. Later, Fletcher decides to pitch the story as a film to Miramax. After his meeting, he gets into a cab only to realize that Raymond is the driver. Upon learning of Fletcher's capture, Pearson and Rosalind return to their cannabis empire and celebrate in each other's company. Cast [ edit] Production [ edit] It was announced in May 2018 that Guy Ritchie would direct and write The Gentlemen, a film that would be in the same spirit as his earlier Lock, Stock and Two Smoking Barrels and Snatch. The project was unveiled at the 2018 Cannes Film Festival, where Miramax acquired the distribution rights. [6] [7] Filming was expected to begin in October. [8] In October, Matthew McConaughey, Kate Beckinsale, Henry Golding and Hugh Grant were cast, [9] [10] with Jeremy Strong, Jason Wong and Colin Farrell joining in November. Michelle Dockery also signed on, replacing Beckinsale in her role. [11] [12] [13] In December 2018, Lyne Renée was added as well. [14] Principal photography began in November 2018. [15] Filming locations included West London Film Studios and The Princess Victoria pub in Shepherd's Bush. [ citation needed] Release [ edit] In February 2019, STX Entertainment acquired U. S. distribution rights to the film from Miramax for $7 million. [16] The film had its world premiere as a VIP special screening at Curzon Mayfair on December 3, 2019. [17] It was theatrically released in the UK on January 1, 2020 and in the US on January 24, 2020. [18] The studio spent around $25 million on promoting the film. [19] Home media [ edit] The Gentlemen is scheduled to be released on DVD, Blu-ray, and Ultra HD Blu-ray on April 21, 2020. [20] Reception [ edit] Box office [ edit] As of March 5, 2020, The Gentlemen has grossed $35. 6 million in the United States and Canada, and $66. 7 million in other territories, for a worldwide total of $102. 3 million. [3] [4] In the United States and Canada, the film was released alongside The Turning, and was projected to gross around $10 million from 2, 100 theaters in its opening weekend. [21] The film made $3. 1 million on its first day, including $725, 000 from Thursday night previews. It went on to debut to $10. 6 million, finishing fourth at the box office. [19] It then made $6 million in its second weekend, finishing fifth. [22] In its third and fourth weekends the film made a respective $4. 2 million and $2. 7 million. [23] [24] Critical response [ edit] On review aggregator Rotten Tomatoes, the film has an approval rating of 74% based on 231 reviews, with an average rating of 6. 4/10. The website's critics consensus reads, "It may not win writer-director Guy Ritchie many new converts, but for those already attuned to the filmmaker's brash wavelength, The Gentlemen stands tall. " [25] On Metacritic, the film has a weighted average score of 51 out of 100, based on 44 critics, indicating "mixed or average reviews. " [26] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while PostTrak reported an average 3. 5 out of 5 stars, with 48% of people saying they would definitely recommend it. [19] Writing for Entertainment Weekly, Leah Greenblatt rated the film a "B-" and found it to come up short when compared to Ritchie's previous crime films, stating, " The Gentlemen is nothing if not a callback to the Locks of yesteryear, star-stacked and defibrillated with enough juice to jolt a gorilla out of cardiac arrest. " [27] Some reviews perceived the film as anti-Semitic, racist, homophobic and sexist on account of its portrayals of characters that fit stereotypes. [28] [29] [30] The Independent described it as "an equal opportunity offender" in its targeting of a multitude of minorities from Jews to East-Asians. [31] References [ edit] ^ "The Gentlemen (18)". British Board of Film Classification. December 22, 2019. Archived from the original on January 1, 2020. Retrieved January 1, 2020. ^ "Weekend Box Office: Guy Ritchie's 'The Gentlemen' Beats Latest Horror Dud". IndieWire. January 26, 2020. Archived from the original on January 26, 2020. Retrieved January 27, 2020. ^ a b "The Gentlemen (2020)". Box Office Mojo. IMDb. Archived from the original on January 8, 2020. Retrieved March 6, 2020. ^ a b "The Gentlemen (2020)". The Numbers. Archived from the original on October 20, 2019. Retrieved March 6, 2020. ^ MarketMeets. Film Premieres 2019. [1] Archived January 2, 2020, at the Wayback Machine ^ Fleming, Mike Jr (May 3, 2018). "Guy Ritchie Returns To 'Lock, Stock' & 'Snatch' Turf With 'Toff Guys' – Cannes". Deadline Hollywood. Archived from the original on May 3, 2018. Retrieved March 25, 2019. ^ Fleming, Mike Jr (May 9, 2018). "Freshly Recapitalized Miramax Lands $30M+ World Rights Deal For Guy Ritchie's 'Toff Guys ' ". Archived from the original on May 9, 2018. Retrieved March 25, 2019. ^ "Guy Ritchie's Gangster Flick 'Toff Guys' Could Have Cameras Rolling By Next Month". Geeks WorldWide. September 2, 2018. Archived from the original on November 17, 2018. Retrieved September 3, 2018. ^ Kroll, Justin (October 10, 2018). "Matthew McConaughey to Star in Guy Ritchie's 'Toff Guys' With Kate Beckinsale, Henry Golding". Variety. Archived from the original on October 11, 2018. Retrieved October 10, 2018. ^ D'Alessandro, Anthony (November 1, 2018). "Hugh Grant Joins Guy Ritchie's 'Toff Guys' Gang". Archived from the original on November 1, 2018. Retrieved November 1, 2018. ^ D'Alessandro, Anthony (November 7, 2018). "Jeremy Strong To Play Pot Kingpin In Guy Ritchie's 'Toff Guys' Gangster Pic". Archived from the original on November 7, 2018. Retrieved November 7, 2018. ^ D'Alessandro, Anthony (November 16, 2018). "Guy Ritchie's 'Toff Guys' Adds Jason Wong". Archived from the original on November 16, 2018. Retrieved November 16, 2018. ^ "Colin Farrell Joins Matthew McConaughey in Guy Ritchie's 'Toff Guys' (Exclusive)". The Hollywood Reporter. Archived from the original on December 1, 2018. Retrieved November 30, 2018. ^ D'Alessandro, Anthony (December 13, 2018). "Guy Ritchie's 'Toff Guys' Taps Lyne Renee". Archived from the original on December 14, 2018. Retrieved December 13, 2018. ^ Daniels, Nia (November 13, 2018). "Guy Ritchie movie starts London filming". The Knowledge Online. Retrieved November 13, 2018. ^ Wiseman, Andreas (February 21, 2019). "STX Punches For Guy Ritchie Crime-Comedy 'Bush' In Splashy $7M Deal, EFM 2019's Biggest". Archived from the original on February 21, 2019. Retrieved February 21, 2019. ^ "Film Premieres 2019". MarkMeets. Archived from the original on January 2, 2020. Retrieved January 2, 2020. ^ Fleming, Mike Jr (August 2, 2019). "After Denial, STX Moves 'Playmobil' From August 30 To December 6". Archived from the original on August 2, 2019. Retrieved August 2, 2019. ^ a b c Anthony D'Alessandro (January 26, 2020). " ' Bad Boys For Life' & '1917' Shooting Past $100M; 'The Gentlemen' Eyes $10M+ – Midday Box Office". Archived from the original on January 24, 2020. Retrieved January 26, 2020. ^ "The Gentlemen DVD Release Date". DVDs Release Dates. Archived from the original on February 21, 2020. Retrieved February 21, 2020. ^ Rebecca Rubin (January 22, 2020). "Box Office: 'The Gentlemen' Takes on 'Bad Boys ' ". Archived from the original on January 22, 2020. Retrieved January 23, 2020. ^ Anthony D'Alessandro (February 2, 2020). " ' Bad Boys For Life' Scores Over Super Bowl Weekend With $17M+; 'Rhythm Section' Is A Mess". Archived from the original on February 1, 2020. Retrieved February 2, 2020. ^ D'Alessandro, Anthony (February 9, 2020). "How 'Birds Of Prey' Went Astray With $33M+ Opening". Archived from the original on February 8, 2020. Retrieved February 9, 2020. ^ D'Alessandro, Anthony (February 16, 2020). " ' 'Sonic The Hedgehog' Runs Faster With 4-Day Of $68M". Archived from the original on February 15, 2020. Retrieved February 16, 2020. ^ "The Gentlemen (2020)". Rotten Tomatoes. Fandango. Archived from the original on January 15, 2020. Retrieved February 13, 2020. ^ "The Gentlemen Reviews". Metacritic. CBS Interactive. Retrieved January 27, 2020. ^ Entertainment Weekly, Leah Greenblatt. The Gentlemen. Page 74-75. Feb 2020 issue. [2] Archived January 25, 2020, at the Wayback Machine ^ "Review: 'The Gentlemen' Is Not Nearly as Classy as Advertised". Time. Archived from the original on January 25, 2020. Retrieved January 24, 2020. ^ "The Gentlemen review: Guy Ritchie crime caper stained with casual racism". NME. December 20, 2019. Archived from the original on December 21, 2019. Retrieved January 24, 2020. ^ Willmore, Alison (January 23, 2020). "The Gentlemen Is a Throwback Crime Caper With Some Throwback Racism". Vulture. Archived from the original on January 23, 2020. Retrieved January 24, 2020. ^ "The Gentlemen review: Guy Ritchie's return to gangster movies is an angry, racist mess". The Independent. December 18, 2019. Archived from the original on January 9, 2020. Retrieved January 24, 2020. External links [ edit] Official website The Gentlemen on IMDb.
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Download torrent the gentlemen free. 'The Gentlemen (2020) is fine, consistently engaging and occasionally quite fun. It does have a plethora of problems, though. First of all, it's never quite clear just who we're supposed to be rooting for. This doesn't feel intentional and seems to be the result of its odd, flashback-based structure. There isn't a great sense of escalation and the pace remains mostly consistent. The narrative doesn't catch up with itself until far too late and, even then, it's annoying how most of the story is told via narrated exposition to someone apparently directly involved with most of its events. Secondly, the flick is simply an amalgamation of genre tropes and stock characters, almost exactly what you expect from a Guy Ritchie movie that isn't 'Aladdin (2019. The characters aren't really given the time necessary to develop properly; they're always walking stereotypes. Some of them even seem like stand-ins for the director himself, with talk of "proper cinema" and references to films like 'The Conversation (1973) being "a bit boring. Finally, the flick is kind of racist. Almost every character makes some kind of racist remark, mainly against members of Asian and Black communities, and it's often used for supposed 'humour. The worst offence is probably when a major character says another has a 'black heart' while specifically referencing race. The flick's treatment of women isn't much better, with the only female character coming under the threat of rape just so she can be violently saved by a white man. It all feels outdated, like someone scrambling against apparent 'PC gone mad. Plus, a lot of time is strangely spent trying to justify its problematic elements; characters have discussions about whether or not certain racist remarks are actually racist. All of this results in an affair that only sours with time, staying in your mind just long enough for you to consider its faults and then slipping away into complete obscurity. It's really forgettable, probably because it's so generic. It's not terrible, though. As I mentioned, it's often quite enjoyable and it's always engaging. Hugh Grant's scene-stealing performance is a real highlight, too. It's messy and misjudged but it's entertaining enough to keep you in your seat. 5/10.
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